Original Music Quotes by Jillian Hervey, Missy Elliot, Hans Christian Andersen, Henry Wadsworth Longfellow, Chance The Rapper, Katelyn Ohashi and many others.
I was working on a piece for one of the things I was dancing to and I needed to have original music. I didn’t know where to begin, I’m so bad at computers, and I remembered that he actually made music. I asked Astro Raw if he’d be interested in scoring and he said yes.
Hip-hop is definitely not what it used to be, which was creative, original music.
Where words fail, music speaks.
Music is the universal language of mankind.
The whole point of ‘Acid Rap’ was just to ask people a question: does the music business side of this dictate what type of project this is? If it’s all original music and it’s got this much emotion around it and it connects this way with this many people, is it a mixtape? What’s an ‘album’ these days, anyways?
When picking my original music, Tina Turner was someone I wanted in my routine because of the strong impact she has had on my life. I admire her courage and resilience.
I’ve always been making original music. I think that when I sat down with Losing Focus, I approached it different. I had a clearer understanding of who I was talking to, because I was able to go out and tour and see them right in front of me. I wanted to speak to them and speak about this lifestyle.
Original music is always appreciated.
I’ll always work with Stones Throw, but I’m trying to start my own label to release my old material and sign new artists. I want to do everything from rock, to jazz, to electronic, to noise records and movie sound tracks. Both sampled and original music.
A true music, that is to say, spiritual, a music which may be an act of faith; a music which may touch upon all subjects without ceasing to touch upon God; an original music, in short, whose language may open a few doors, take down some yet distant stars.
I’m from the school of putting a lot of hours of practice into playing. But at the same time you have to write original music – that’s really important, because that’s the things that’s going to separate you from everybody else, that’s going to give you your unique voice as a music that you create.
My primary goal is to be a solo artist releasing original music.
I’m not a household word. The climate for original music is always a bit difficult.
I started making original music during my YouTube process. And as a young female, dealing with a lot of male producers who were older and had more so-called experience, they would discourage me, telling me that what I was doing – and even my vision – was never going to work. And that lasted quite a long time.
I’d love to do a modern-day musical that’s full of original music. To get your contemporaries to sing and dance without looking foolish and for it to be transformational and magical and all those things a musical is supposed to be.
The whole point of ‘Acid Rap’ was just to ask people a question: does the music business side of this dictate what type of project this is? If it’s all original music and it’s got this much emotion around it and it connects this way with this many people, is it a mixtape? What’s an ‘album’ these days, anyways?
It was important for the first piece of original music that I release to have a timeless feel because that’s the type of music I want to make.
On the show [the Voice] I obviously wasn’t allowed [singing my own original music], because it’s not that type of show. I think it’s really cool that I get to do my own thing now.
When I first tried to get a record deal for my original music, labels didn’t understand what these instruments were meant to be doing
In a way, the history of jazz’s development is a small mirror of classical music’s development through the centuries. Now jazz is a living form of original music, while classical music has gotten to the end of its cycle in terms of exploring its form.
I like being in a recording studio. I like watching a song go from the simplicity of the original music.
Well into the ’40s, it wasn’t uncommon for big-budget Hollywood movies to contain little or no underscoring, and many of today’s directors, following the lead of Martin Scorsese in ‘GoodFellas,’ accompany their films with pop records, not original music.
Hip-hop is definitely not what it used to be, which was creative, original music.
There are a lot of disadvantages with the YouTube stigma, because no one wants to be known as just a cover band. It’s all about the original music.
It is all about being open and paying attention to the music in your head. I think most people have original music playing in their heads from time to time.
